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In 2009, I began working on the ocean. At first, I thought it was to become a fisherman, a mariner, then an engineer.  In reality, I went to sea to become an artist. This is one of those odd life twists, one never sees coming. 

The magic started after midnight. The bartender asked me to leave a list of the drinks i had that night. Instead, I started drawing cartoons and doodles on a napkin and leaving them on the bar before going to bed. The passengers found them in the morning, mused over them, and began to ask about them. Over time, I developed a following, and a style.

My instincts tell me there is something to this, but to what end I have no clue. I'm enjoying the flow.

My process starts with an idea. It emerges instantly from somewhere in my mind, and I know that is what I will work with and the next project. From there, I turn to marker and paper towel and work out the composition and light. If it will be canvas, i prep it: creating my borders and rough grid of thirds and halves on the tape that covers my border. At this point, I take some time and watch the canvas and visualize what could be. Then I begin.

I'm intrigued by the creative process. My minds eye vision of my creation at the beginning of the project flows and changes to the very end.  Two questions that fascinate me: How do you know when a piece is finished? Where does that feeling come from?

i've noticed I'm a relatively slow, but steady artist. While working my day job, I only have about 2 hours maximum to work on a piece a day. So I make small progress daily until completion.

On land, I travel in a custom van, I designed and built myself. It is my art and adventure center, and this will be my studio until life dictates something larger.

I'm now working mostly with charcoal.  I think it's my strongest medium. I love the strong dynamic of black and white.

I've carried camera gear around for 20 years. It's developed my compositional eye and understanding of light.

I love oil painting. On my vacations, I travel to art museums and study the masters. This is my verstion of going to art school. I can spend all day studying the strokes and light of those who came before me.

I believe in art everywhere. I like working in stones and natural materials. Thanks, Goldsworthy. As a mariner, I  have a strong interest in the working and artistry of knots.

Beyond visual art, I pick on a banjo, mountain dulcimer, and acoustic guitar. I live outside. I cook my meals and breathe good air.

Thank you for your interest.